The essay explains how oral history is being used to not only fashion collective memory, but also how it is being transmitted and diffused. The essay also examines how oral histories are becoming public and are being used to create collective memory within these communities. It argues that a standard format has emerged for oral-history punk books that resulted from within the culture of punk, or, from its "cultural toolkit," in the words of social theorist James Wertsch. It analyzes the format, motivations, and origination of a series of oral-history books on punk rock. This essay explores the role of oral-history publications created within punk culture, and their role in the creation of the collective memory in punk rock. How the history of punk is being created and who is best able to do this is contested terrain. In addition, those connected with punk music and culture have also been active in crafting their own history. The history of punk rock has become a popular topic for historians, musicologists, journalists, and other social observers.
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